Updates Public Event: “Becoming Interplanetary”
The Unconference About
Ytasha L. Womack is an award-winning author, filmmaker, independent scholar, and dance therapist. She is a leading expert on Afrofuturism, the imagination and its applications and frequently lectures on the subject across the world. Ytasha was honored among DesignHub’s 40 Under 40 designers for social good and innovation in 2017 and listed as a Filmmaker to Watch in The Chicago Tribune. Her book Afrofuturism: The World of Black Sci Fi and Fantasy Culture (Chicago Review Press) is the leading primer on the subject and taught in colleges and universities. Afrofuturism is also a Locus Awards Nonfiction Finalist.
A prolific writer, her other books include the time travel novels Rayla 2212 and Rayla 2213 (YSolstar); Post Black (Chicago Review Press), and Beats Rhymes and Life: What We Love & Hate About Hip Hop (Random House). The Rayla 2212 series inspired the Race in Space Conference at Duke University where she was a featured artist along with keynote speaker and astronaut Mae Jemison. Her Afrofuturism novella A Spaceship in Bronzeville (Mouse Books) will be released later this year.
Ytasha is director of the Afrofuturist dance film A Love Letter to the Ancestors From Chicago. The film was televised on WTTW Chicago and screened at the Afropunk Festival in Brooklyn; Black(s) to the Future Festival in Paris, France; the Reeltime Film Fest in Nigeria, Afrotopia in Bristol England and the Black Harvest Film Festival in Chicago among others. The film won Best Experimental Film at the Collected Voices Film Fest.
Her other films include the romantic comedy Couples Night (screenwriter) currently running on Xfinity and Urban Movie Channel. The film stars Tony Rock, Reagan Gomez, Malik Whitfield, and Denise Boutte and was featured at the Pan African Film Festival in Los Angeles. Her feature films Love Shorts (producer/writer), and The Engagement (director) were nominated for Best Film at the American Black Film Festival. She was nominated for Best Director for The Engagement at the festival as well. She’s currently developing the Afrofuturist feature film Bar Star City. The movie follows a bar on Chicago’s Southside that’s a haven for galactic travelers. Ytasha created and leads an Afrofuturism dance therapy program for teens with After School Matters in Chicago. She teaches an array of styles for both children and adults with the Beverly Arts Center’s outreach.
Ytasha has lectured at a number of universities and cultural events. She was a featured speaker at Sonic Acts Festival in Amsterdam, the Deutsche Kinemathek ‘s Science in Fiction in Berlin, the WOW Festival in Liverpool, and the Acheworks Chicago Series. She’s an invited participant in the Decolonizing Mars Unconference at the Library of Congress, a keynote presenter for the Afrofuturism & Indigenous Futurism Conference at the University of North Caroline Chapel Hill, and a keynote speaker for Planet Deep South at Jackson State University. She’s also presented at Duke University, University of Chicago, Clark Atlanta University, Yale University, The New School, Chicago State University, The City Colleges of New York and others.
She’s a frequent speaker and artist presenter at Comic Cons and science fiction conferences across the US. She’s a two time guest of honor at Convergence Con and a Guest of Honor at Diversicon in Minneapolis, MN.
She also cocurated the Black to the Future Afrofuturist playlist with recording artist Janelle Monae for Spotify.
Ytasha began her career as a journalist covering arts, entertainment and business. She is guest editor for the business magazine NV Magazine; a former editor-at-large for Upscale Magazine and former columnist for the Chicago Defender. Her work has appeared in Essence, VIBE, The Huffington Post and more. A Chicago native, she has a B.A in Mass Media Arts from Clark Atlanta University and studied Arts, Entertainment and Media Management at Columbia College in Chicago. She has a Masters Certificate in the study of Metaphysics and New Thought Philosophy from the Johnnie Colemon Institute.
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